Site Title: Research Journal: Issue No.3 Spring 2011

Contributors: Edited by Angela McShane

Table of Contents

Contents
Editorial
Promoting corporate environmental sustainability in the Victorian era: The Bethnal Green Museum permanent waste exhibit (1875-1928)
‘Nothing of intrinsic value’: The scientific collections at the Bethnal Green Museum
Shedding light on the digital dark age
John Thomas and his ‘wonderful facility of invention’: Revisiting a neglected sculptor
Dialogues between past and present: Historic garments as source material for contemporary fashion design
Kütahya ceramics and international Armenian trade networks
X-radiography as a tool to examine the making and remaking of historic quilts
A patchwork panel ‘shown at the Great Exhibition’
An adorned print: Print culture, female leisure and the dissemination of fashion in France and England, around 1660 – 1779
Seating and sitting in the V&A: An observational study
Review: The Actor in Costume by Aoife Monks
Review: Not quite Vegemite: An architectural resistance to the icon
Contributors
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Chicago “Contents.” In Research Journal: Issue No.3 Spring 2011. London: Victoria and Albert Museum, 2022. https://research.vam.ac.uk/journals/research-journal/issue-3/contents/.

MLA “Contents.” Research Journal: Issue No.3 Spring 2011, by Angela McShane et al., Victoria and Albert Museum, 2022, https://research.vam.ac.uk/journals/research-journal/issue-3/contents/. Accessed DD Mon. YYYY.

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Contents

Editorial — Angela McShane
Promoting corporate environmental sustainability in the Victorian era: The Bethnal Green Museum permanent waste exhibit (1875-1928) — Pierre Desrochers
‘Nothing of intrinsic value’: The scientific collections at the Bethnal Green Museum — Ann Christie
Shedding light on the digital dark age — Elizabeth Walker
John Thomas and his ‘wonderful facility of invention’: Revisiting a neglected sculptor — Ian Blatchford
Dialogues between past and present: Historic garments as source material for contemporary fashion design — Deirdre Murphy
Kütahya ceramics and international Armenian trade networks — Yolande Crowe
X-radiography as a tool to examine the making and remaking of historic quilts — Joanne Hackett
A patchwork panel ‘shown at the Great Exhibition’ — Dr Clare Rose
An adorned print: Print culture, female leisure and the dissemination of fashion in France and England, around 1660 – 1779 — Alice Dolan
Seating and sitting in the V&A: An observational study — Tillie Baker
Review: The Actor in Costume by Aoife Monks — Kate Dorney
Review: Not quite Vegemite: An architectural resistance to the icon — Ian Tocher
Contributors
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